Tuesday, 18 February 2014

My Horns No. 6 - Weril Regium II Flugelhorn

Weril is not a brand that rings immediate bells with brass players, at least in the West. A Brazilian company, Weril has been making instruments for over 100 years, mostly to support the South American market, and, as I understand it, historically mostly with student-level instruments.

The Regium line was Weril's attempt to both move into higher-end instruments, and to grab a slice of the European and US markets. The Regium II was the next step, and they did get at least one endorsement, from Marcus Printup, who has since moved on to another brand. The Regium II line is no longer made by Weril, and they no longer seem to export instruments to Europe or the US.

Many stories abound around the trumpet interwebs about the poor design and quality of Weril, so you might be thinking why did I buy one? Well, right place, right time and right price sum up my experience with the brand. I happened to be in the market for a Flugelhorn for occasional use just when the Australian distributor for the brand was closing out his stock, and he had his remaining Regium II flugelhorns at more than 50% off RRP.

So I went down and had a blow, and came back with a horn.

So what have we got here? Two-piece copper bell, at a standard flugel 6" bell size, bore size of 0.435" (not measured by me, have also heard they are a 0.460"). Top-sprung valves with "traditional" vertical branches, waterkey on 1st and 3rd valves as well as main, and a tuning trigger on the 3rd valve. Weril uses a "standard" or large morse taper leadpipe, similar to Yamaha, Getzen etc. As you can see from the photos, the horn comes in a fine Bach-style hard case, with wrap-over cloth and space for music etc. The horn also came with some Weril-branded valve oil, and a Weril mouthpiece, which made the horn sound like a trumpet.

It has to be stated that the construction quality of the horn is not quite up to the standard of the big manufacturers. Some of the soldering is a little haphazard, and the valve caps etc. seem a little lightweight and fragile-looking for what is meant to be a professional level instrument. However, everything is where it's meant to be, and works in the way intended, so no complaints there. As I bought this horn unplayed, the valves have taken a little time to bed in, which is natural.

So what's it like to play? In a word, good. With the right mouthpiece, it produces a wonderfully warm and mellow flugelhorn sound. Within limits, it's a very flexible instrument. Intonation is OK, with the usual flugelhorn quirks being evident, but not as bad as on some horns I've played. Like many flugelhorns, it's very reluctant to go higher than A above the staff, but realistically with flugel music, that doesn't happen very often.

In terms of the design, there are a couple of areas where the performance could be better. The valves feel like those on cheap Chinese products - although they have never failed me, they always feel like they might, and that can be disconcerting. The other design issue is the tuning trigger on the third slide - it's just too long, so my fingers get in the way when I try to use it. Many other brands of flugelhorn have a much shorter trigger actuation mechanism, and it would be of benefit to Weril if they had changed to a similar sort of trigger.

For the price I paid, this flugelhorn was a good buy, and is perfect for the trumpet player who occasionally needs to use a flugel for Jazz or Brass Band work (although there is no lyre attachment).

My advice would be if the price is right, don't discount a Weril, but do play it, as it seems quality can be a little hit-and-miss, but a good one is a good horn.





Cheers for now, from
A View Over the Bell


Wednesday, 5 February 2014

Little Bighorn Special Part Two - E Troop, Documentaries, Mitch Boyer and Archaeology

Killing Custer : the battle of Little Bighorn and the fate of the Plains Indians by James Welch with Paul Stekler

New York : W.W. Norton, 1994                                ISBN 039303657X


The mystery of E Troop : Custer's gray horse company at the Little Bighorn by Gregory Michno

Missoula, Montana: Mountain Press Publishing Company, 1994         ISBN 0878423044


Archaeological insights into the Custer Battle : an assessment of the 1984 field season by Douglas D. Scott and Richard A. Fox, Jr. with a contribution by Dick Harmon

Norman, Oklahoma : University of Oklahoma Press, 1987       ISBN 0806120657

Custer's last campaign : Mitch Boyer and the Little Bighorn reconstructed by John S. Gray, Foreword by Robert M. Utley

Lincoln, Nebraska : University of Nebraska Press, 1991            ISBN 080322138X



As is often the case, one book leads to many others - my reading of Red Sabbath has taken me on a bit of a Little Bighorn odyssey. Having a childhood love of "Cowboys and Indians", which grew into a more mature interest in military history, the Custer Battle is something that I've long known about in a general way, having read a few treatments over the years. In 2003 I had the fortune of visiting the battlefield, and from time-to-time I've revisited my photos, and the material I got from the visitor centre, which includes a fridge magnet of the famous Cassily Adams painting Custer's last fight.

James Welch has a little to say about that painting, in his personal reflection on the Last Stand and what it meant in Indian as well as White Man history in Killing Custer. Welch is an Indian himself (Blackfeet), and brings that cultural base to bear on his writing. In the early 1990s he was hired as a scriptwriter by Paul Stekler to write a documentary for PBS that Stekler was filming. Stekler wanted to look at the Little Bighorn battle from a "new" perspective, balancing the White view with that of the Indians.

Welch, although having lived in Montana most of his life, had little interest in Custer before taking on this project, and had only been to the battlefield once (when he was admonished for eating at a National Monument!). While Welch is known for his novels that deal with the Indian experience, he recalls early in Killing Custer going to the movies in his youth and cheering the Cavalry, along with all the other Indians in the audience, which is an indication that this book is not a "standard" history.

And it's not - Welch intersperses writing about the battle with scenes from the making of the documentary, and the modern politics of the Little Bighorn battle and site - and it is a site with meaning for many. The Indians that now own the area, the Crow, were on the side of Custer at the time of Little Bighorn, as the Sioux had dispossessed them of these lands. That they were naive in thinking that by supporting the US Government they would get their land back is beyond doubt. Many of the Sioux were less naive - Welch shows that Sitting Bull and some of the other Sioux Chiefs called together the "Big Village" with the foreboding that this would be a grand finale to their way of life. When writing about the making of the documentary Welch describes interviewing Indians about the battle, and the thing that stands out from the exchanges is how close Custer and the Little Bighorn are to us: many of these Indians were talking about their Grandfathers, who had been in the thick of the fighting.

The Indian narratives of the battle historically  have been discounted as being too episodic and contradictory to be of any use to historians trying to recreate what occurred on that June day 138 years ago. In 1983, a grass fire at the battlefield led to a series of events that threw new light not only on the archaeology of the site, but on the relevance of Indian accounts of what occurred on that day. Gregory Michno has used the results of those digs, and a clear-headed look at the Indian and White oral/written evidence to try and clear up a mystery that had surrounded what happened to 28 bodies that were said to lie in the "Deep Ravine" of the battlefield. If you go to the field today, there are no markers in that place, and it was a mystery that intrigued Michno, who has made a valuable addition to the burgeoning literature of Little Bighorn.

His book is an excellent synthesis of available evidence - especially useful is the comparison of Indian evidence, which when read one after the other seems, if anything, less contradictory than that of the White witnesses. Gray's Custer's last campaign clearly shows that the much belittled testimony of Curley, one of the Indian scouts with Custer and the only survivor from his troops, is actually quite accurate. When read together, it is possible to piece together a fairly accurate picture of what happened on Battle Ridge that afternoon. The archaeological digs after the fire have allowed historians to more accurately chart the flow of the battle - it seems that the final stand was in fact on Custer Hill, after skirmish lines thrown out around the hill were driven back onto the troops on that feature.

Many other old controversies have been put to rest by the archaeological work that has continued beyond the initial 1984 excavations. The Indians were fairly well armed with modern weapons - given how many fighting Indians there were on that day, even a ratio of 25% of Indian combatants with firearms means Custer's men were out-gunned. The number of armed Indians increased as the battle progressed when they took arms from the dead soldiers: the evidence indicates more than one trooper was shot with his own - or a comrades - weapon. The last stand was most probably on Custer Hill, with the last survivors making a doomed dash for Deep Ravine and being cut down on the way.

Of course the controversies about Custer and his character will probably simmer on for ever: certainly he can be held accountable for not reconnoitring the village before his attack, but once committed, it now seems that the 7th Cavalry fought the way it knew how: the only problem was that the Indians were too many and too mobile a force to succumb to Army tactics. the question of whether Benteen could have changed the outcome by obeying Custer's order to advance is moot: he didn't, and his explanations of why he didn't must always be viewed through the prism of self-vindication. However, if Gray's estimate of  over1800 Indian warriors thronging the field that day is correct, perhaps Benteen chose wisely.

What is beyond dispute is that Custer's men - including his brothers Tom and Boston, his nephew and his brother-in-law - died, along with Mitch Boyer, who I haven't really mentioned in this review, but as described by Gray was a fascinating product of the age. While we'll never know Boyer's exact words, it seems he knew when he ordered Curley to leave the fight that no-one in the command would survive that day. Standing on the battlefield, knowing that, is a sobering experience.


Cheers for now, from
A View Over the Bell