Thursday, 20 August 2026

Book Review - The Wreck of the Batavia & Prosper by Simon Leys

 The Wreck of the Batavia & Prosper by Simon Leys

Melbourne: Black Inc., 2005                             ISBN 1863951504

I picked this book up for a little break from the two rather heavy books I'm reading at the moment, which will not doubt grace these pages in due course. It's small size (both in page length and dimensions) fitted the bill, and it's something I've wanted to read for ages.

As the title suggests, the book consists of two essays, that are not related other than they are both to do with the sea. They were written many years apart - Prosper written in the 60s, The Wreck of the Batavia after the release of Mike Dash's Batavia's Graveyard, when Leys realised that his long-standing project (or thought) to write a book about the Batavia in which he would lay bare the entire episode was no longer viable.

In The Wreck of the Batavia, Leys provides a short and pithy overview of the voyage, wreck, and insanity that occurred to the survivors while awaiting rescue. His main point though, is to try and get under the skin of Jeronimus Cornelisz, the brutal leader of the mutiny. He makes much of his potential relationship with Johannes Torrentius, a brilliant painter who was arrested for blasphemy and atheism not long before Cornelisz signed on to sail in the Batavia

Prosper is a short essay about Leys' trip in one of the last sail-powered tuna fishing boats (a yawl) out of Brittany. It's more of a character study than anything else, with Leys describing the (mostly) old crew - their histories, their relationships with each other, and how their particular skills were being overtaken by technology. It isn't much more than a fragment, but vividly brings to life a time, a place, and a crew.

This book was just the tonic as a break from some more serious reading. Leys was a fine stylist and knew how to write - and the physical book is a pleasure as well, with some nice plates that add to the experience.



Cheers for now, from

A View Over the Bell

Friday, 31 July 2026

Book Review - The Odyssey translated by Emily Wilson

 The Odyssey by Homer, translated by Emily Wilson

New York: W.W. Norton & Company, 2017        ISBN 9780393089059

Thanks to Christopher Nolan's film, The Odyssey is having a little time in the sunshine of notice. As I write this review, I've yet to see the film (although I've read/seen quite a few reviews!), but in preparation I thought I would read the poem for the first time since my early twenties (i.e. several decades ago).

I chose the Emily Wilson translation for a few reasons - it's current, it was of interest on the internet because it's the first translation by a woman and I wanted to see what the fuss was about and whether the sex of the translator made a difference (it doesn't really), but mostly because it was the copy closest to hand when I decided a re-read was on the cards.

On the whole, it is an excellent translation for the twenty-first century. Wilson has used iambic pentameter as her metre, but it's not a self-consciously poetry, she has used (mostly) a very slightly heightened language, but the story is very easily understood and very readable, and she has provided the reader with a good introduction to the poem and the milieu in which it was written, what it might mean both then and now, excellent notes, glossary, pronunciation guide and useful maps. It's a complete package.

Of the apparatus, it is the Translator's Note that is most interesting. It is an excellent essay on the difficulties not only of translating the poem and making it accessible to a modern audience, but also on the weight that earlier translations bring to bear on anyone who attempts it. It's well worth reading, and would serve as a good guide for readers of any translation of anything, especially poetry.

The poem is best-known for Odysseus's adventures fighting the Cyclops, hearing the Sirens, skirting Scylla and Charybdis, the Lotus Eaters etc., but in many ways those are minor bits of excitement in what is a much bigger story that Homer (Wilson's introduction speculates well on who Homer might have been) is trying to tell.

Whereas The Iliad is a story about war and glory, The Odyssey is much more a story of overcoming the difficulties life throws up at us, the choices we make (and the ones we don't) and the consequences of our actions. Like much of the greatest literature, within it's narrative The Odyssey gives the reader pause to think about their own life and reflect on how much all of our stories can be seen to be reflected in Odysseus's struggles. Everyone should have their own interpretation of The Odyssey, it seems to me.

Mostly, in my view, it's a book about coming home, and about not giving up on that ideal. Homer is too sophisticated to give us a happily ever after, but coming back to where you are known and loved and wanted is at the heart of the story. Fear of what it means to not be those things is also here - for much of the poem Odysseus, through his deceitfulness and trickery is trying to ascertain whether his home does indeed know him, love him and want him.

Wilson has her own views on this, and on other things, which don't necessarily gel with mine, but which like the poem itself are worth thinking about and responding to in a thoughtful way. One of the interesting things about The Odyssey is that there are so many powerful women portrayed in it, many of whom have a lot of control over Odysseus, which seems remarkable for something written thousands of years ago. I think the depiction of women in the poem speaks to age-old questions that, even in patriarchal warrior societies, still need to be reckoned with, and Wilson has thoughtful things to say about that, as well as on the depiction of slavery and the actions of the gods.

This is an excellent book in every way - a great translation well supported with supplementary material. If you have watched the film and want to go deeper, I can highly recommend this book.


Cheers for now, from

A View Over the Bell